alla prima – over another painting. why does this work more frequently than when painting on a blank canvas?? Maybe it’s more freeing, since you feel like the original, no matter how hard you worked on it, wasn’t working and so whatever you do will be better than ditching the canvas? It still needs a little work, but I like the rough and fresh quality of it, so hope not to ruin that. Wish me luck!
A friend of mine came up with an idea to create a mural in her garden just in time for her son’s shower. She thought it would make a nice way to bring her garden together. There were lovely flowering plants springing up and in pots and hanging, but there was a sort of “blank” place just in the middle – the back wall of her neighbor’s garage.
We had both recently been to the Monet: The Late Years at the DeYoung and found them lovely to be among. So, we thought, why not, let’s paint a Monet-ish style garden, we have two weeks…
She ordered the canvas, got the paints, we consulted with our muralist friends about types of paint, and we figured out how to hang it.
Well, we both got very busy. I went out of town, she was actually in the middle of deep cleaning in her storage. We started on the following Monday, five days before the shower. My friend mixed blues to make an interesting sky and off we went! Then she got engulfed in preparing her house for the shower. I wanted to make sure the mural happened, and didn’t want her to worry about that on top of everything else, and I’m pretty good at doing things quickly, so, I thought, why not! Things often take a bit more time than you think they might, of course, so Roz’ daughter-in-law, Shawna, came to help paint, putting in some of the water and all of the lilies, which was great. Somehow, we got it completed enough to be complimentary to her lovely garden, and Thursday evening Tim helped me finagle it behind her plants and we got it mounted behind the trellis. (I think we broke a couple flowers—sorry!).
The mermaid seems to be raising a toast as she emerges from the pond!
It was really fun, thank you Roz for having great ideas!
The completed mural: (wobbly bridge appearance caused by assembling four photos)…in place in the garden:
The Pacific Ocean feels giant all along the coast south of Carmel. Maybe it’s the mountains alongside which partly give it scale.
This painting will go into the Arts Benicia member show next week, I hope you can join me at the reception!
Art of the Community 2019
Reception is Saturday, January 26, 6:00-8:00 pm
at Arts Benicia Gallery
991 Tyler St. Suite 114, Benicia CA 94510
—how to pronounce the name of this park:
put together two short sounds: gara + pata
Normally when I go out plein air painting, I do more traditional style painting. This time, the tree shapes were so distinct, and my view of them was so narrow (vertically), the ocean color intense, a few stripes of brilliant sun, that I sort of fell into this more graphic representation. The headlands became pure shapes in the second one, at top.
See these and more at Open Studios in Benicia!
Even though it’s quite simple, I like it.
Benicia Artists Open Studios will take place on Saturday & Sunday, May 5 & 6.
Saturday, 11 am to 7 p.m.
Sunday, 11 am to 5 pm.
At Jerrold Turner’s studio:
640 East L St.
Benicia CA 94510
See you there!
With one foot in Alameda, one in Mendocino County—I will be joining two artists in a show at the Scharffenberger Cellers in the beautiful Anderson Valley. I will be bringing some urban scenes to balance out the bucolic!
Join us at:
SCHARFFENBERGER CELLARS Tasting Room
8501 Hwy. 128, Philo, CA 95466 (707) 895-2957
Woods, Wine and Water
Explore the Intertwining of the Wild & Human
Maeve Croghan, Debra Lennox and Micaela Marsden
2017 Benicia Open Studios
Please join us at the studio of Jerrold Turner
640 East L St., Benicia CA 94510
Saturday and Sunday May 6 & 7
9 Plein Air Artists!
Sue Collins, Attila Cziglenyi, Jerrold Turner, JoAnn McMahon, Loralee Chapleau, JoAnne Uomini, Marshall Lockman, Sue Wilson, Micaela Marsden
You are specially invited by
I love the old Monterey shrimp boat at China Camp, and pretty much every time I go there I have to do a painting of it. The old flat-bottomed row boat has a really interesting color-texture on the bottom, so it became the focus of this painting. I started this sketch late fall and just got back to it today, working on the shadows and highlights, correcting colors and changing the sky from grey to blue. It’s always fun to play around with color, so at one point I tried purple shadows, but that drew too much attention–now, maybe a little too dark. The sky is not actually that blue, that’s just my camera’s interpretation!