Normally when I go out plein air painting, I do more traditional style painting. This time, the tree shapes were so distinct, and my view of them was so narrow (vertically), the ocean color intense, a few stripes of brilliant sun, that I sort of fell into this more graphic representation. The headlands became pure shapes in the second one, at top.
See these and more at Open Studios in Benicia!
Even though it’s quite simple, I like it.
Benicia Artists Open Studios will take place onSaturday & Sunday, May 5 & 6.
Saturday, 11 am to 7 p.m.
Sunday, 11 am to 5 pm.
At Jerrold Turner’s studio:
640 East L St.
Benicia CA 94510
With one foot in Alameda, one in Mendocino County—I will be joining two artists in a show at the Scharffenberger Cellers in the beautiful Anderson Valley. I will be bringing some urban scenes to balance out the bucolic!
June 6, 7, 13, 14, 11 am – 6 pm. 55 Harrison street, Oakland. www.markethallartists.com
I knew the two ships I painted a few years ago were going to be moved out to other ports, so I went down to Alameda Island with my camera to see if I could capture them again. I happened to get there on the very day they were being moved! I counted myself super lucky, and stuck around to watch & photograph what I thought would be a relatively quick process. 4 hours later, they were gone! I got to hang around with some of the sailers, both women and men, from nearby ships who were happy to see them leave and in high humor. One of the ships is named the Algol. I didn’t stick to “reality” with the colors, as that grey-painted steel can be pretty dreary.
more about the Algol http://en.wikipedia.org/wiki/SS_Algol_%28T-AKR-287%29
While painting along the Russian River recently, I headed out to the coast with a couple of friends, specifically to go to Goat Rock. It had been predicted to be gloriously sunny, but in reality it was socked-in, dense coastal fog. We continued towards the rock, but couldn’t see it until getting right up close to it! (This is a large rock!!) My friends headed back inland to Bodega, but I waited for the fog to clear. The visibility actually went down as denser fog rolled in, so I decided to try painting something small and nearby. I found a nice jumble of lichen-covered rocks near the road. On one, a bush’s dry twigs curling around like an enveloping hand, with tiny, red-leafed brambles amongst caught my eye (hey, writers can take liberties too!). Loosely following the form of the objects, I followed my whims and tried to enjoy the process. It wasn’t cold, there were few people around, it was pleasant. The painting is almost evenly divided between fog and land, and appears black and white, but there are actually colors! I like the idea of going a bit abstract, though it may be sort of dark…?