alla prima – over another painting. why does this work more frequently than when painting on a blank canvas?? Maybe it’s more freeing, since you feel like the original, no matter how hard you worked on it, wasn’t working and so whatever you do will be better than ditching the canvas? It still needs a little work, but I like the rough and fresh quality of it, so hope not to ruin that. Wish me luck!
Painting in my back yard with cascades of flowers can be fun too! The nasturtiums were growing with leaves the size of dinner plates, and the ever-present morning glory was being, well, glorious, so I had to try a flower painting. As it’s not my usual subject, I had no idea if it would become something I liked, but I kept some of it graphic, and for a very fast painting, I think it turned out well.
While out in my garden, I unearthed a small mosaic memorial I made for my cat about 10 years ago.
This is an “alla prima” or “all at once” painting from a few months past up on the Sonoma Coast. It works better from a distance than right up close, as you get more of the feeling of the coast stretching off South. I may work on it some more, in the studio.
I will be in Jack London Square at the Pavilion Building, as in past years. It’s such a great, airy, open space, really pleasant. I have new plein air work from around the Bay Area, and Mendocino.
We are the largest group showing in one location in the entire East Bay Open Studios, and we have teamed up with another group just a few doors down at Market Hall, so between the two locations there are 80 artists.
Hours and days: Saturday & Sunday — two weekends — June 1 & 2, June 8 & 9 — open 11 am to 6 pm
It’s just plein fun!
Hope to see you there!
This poor hulk has been sadly neglected in our driveway for more years than I care to tell you about, but it is getting some attention today. It drove here, but as Tim says, you don’t go for a drive in it, you go for an adventure! Gino will be helping Tim to fire it up. Will it really run again??
And, is this painting finished, what do you think?
I took a workshop with a local painter I think is terrific, Randall Sexton. This was figure painting, which I gave up over a year ago, maybe two years. I had felt very frustrated with getting the myriad of colors that exist in a few square inches of skin – light to dark, one color to another, as well as reflected light, blemishes, etc etc. He somehow made it seem do-able again. Here’s one of my unfinished sketches, background left for later. I don’t know that I will ever finish it – and, how can you, once the session is over and the model has left? I guess that’s another one of the frustrations with this subject! Oh well, it’s fun in the meantime!